I’ve been in research /decision-making /make-up-your-mind-already mode for some time now regarding my latest manuscript. It’s a humorous middle grade novel about a kid, a circus, and one other hilarious detail which I won't disclose at this time but which I know will make for a very unique story indeed. This much I know. This much I’ve known for some time now. The problem is, that’s also just about all I know about it. Usually when I come up with an idea for a new story I contemplate my many options about how I want the story to go. I mull these options over, and then pick one. Sometimes I’ll wind up eventually changing my mind about a decision I’ve made for some reason or another, but that’s okay. At least the decision was made, and the rough draft began. But so far that usual process hasn’t happened with this new story. I’ve been completely stuck on some very basic decisions for what seems like forever. For example:
Is this kid a boy or a girl?
Do his/her parents know he/she is “running” away so they can help him/her safely get to where he/she is going, or does the kid just hop on a bus? (Because the last thing I ever wanna do is encourage a bunch of 12 year olds to catch the nearest Greyhound! But then again, a kid plotting/planning/going-it-alone can be very exciting reading.)
Would this story best be served by first person or third person narration?
Add all these details together with the many other currently non-existent major plot points and it looks like this:
(character gender + any other character specifics + major plot points)
– the ability to make up my mind
= writer’s block squared to the pi (or something like that)
Have I mentioned yet how much I HATE math?
So anyway, as you can see, I haven’t exactly hit the ground running with this story. But that’s okay, because I think that’s all about to change.
Last week Carson and Barnes, a traveling circus of the death-defyingly entertaining sort, came to town. With them they brought some cute and cuddly elephants the size of my living room, a smiling pygmy hippopotamus named Katie, and a pack of dancing poodles, as well as several other various species of animals. I knew all of this (well SOME of this) in advance thanks to our local newspaper which ran an article about the dozens of letters from PETA which typically follow this circus to every town. Also in this article were some very reassuring words from the head-circus-folk regarding their ethically-correct elephant care, as well as an invitation to the general public to come on out on the morning they arrived to watch them unload the animals and set up the tents. The idea being that the general public could then see for themselves just how elephant-friendly they were.
Now let me tell you, I am very much against the unethical treatment of any animals—I love animals— but I’m also very much NOT the type of person who’d ever intentionally find herself in any area with even the tiniest bit of protest-potential, because, well, I’m a great big chicken. I’m fairly certain that if I were to ever take part in—or stand accidentally near—an actual protest I would either A) get arrested or B) wind up an unwitting bystander during molotov-cocktail-hour. And I don’t really like either of those choices. However, I couldn’t get the public invitation to come watch them arrive out of my mind.
Two weeks before, when I’d gotten the obligatory buy-one-get-one-free coupons in the mail for circus tickets, I’d seriously considered taking my kids because 1) they’d never seen a circus, B) it might be fun, and iii) it’d be great research for my new manuscript. And I must say numeral iii weighed heaviest on my mind, because, well, with the receipt of the coupons I had also finally received the realization of exactly why I’d been suffering from chronic manuscript indecision:
I was afraid.
That’s right, AFRAID. What did I know about the circus? Absolutely nothing! I’d only ever been to ONE circus in my entire life, and the only thing I really remembered about it was that my mother had developed a crush on the brawny (and nicely tanned) lion tamer. And that really wasn’t going to help me with my book. So exactly how was I supposed to create this fantastical world in which this kid had spent his/her entire life— the world which had shaped everything he/she knew— if I knew nothing about it myself?
Now I know what you might be thinking here: JK Rowling never went to a school of witchcraft and wizardry, and yet she managed to create that world just fine. Which is true. However, there aren’t exactly any wizard headmasters waiting to come out of the woodwork and point out the fallacies of the world she’s created either. Yet if I were to paint a very off-base portrait of circus life, there are surely many and varied species of circus folk all up in the woodwork.
And I for one do not want to be responsible for them coming out of said woodwork.
So, obviously there was no way I could move forward with this story— and hence no way I could truly make any decisions about this story. That is, at least, until I’d done some serious circus research. I had to know something about what I was trying to write.
And so in my hands I held the answer (remember, the coupons): I would take my kids to the circus and solve all my writer’s-block-related problems at the same time!
“But”, the annoying voice of conscience inside me declared, “what if you take the kids to this small traveling circus which you know absolutely nothing about and discover there are molotov-packing-protesters or, worse yet, sad and obviously unethically treated elephants? What then?”
And the voice had a good point.
I couldn’t take my kids to this circus not knowing what we’d find.
And so there I was, right back at square one. No firsthand research being done. No questions being answered. No decisions being made.
But then that’s when “it” happened; the public invitation which came in the form of the newspaper article. I could go down to the fair grounds, watch the circus folk unload the animals, see the big-top assembled, make sure everything was safe for my kids, gather all sorts of first-hand intel on circus life, and maybe even spy on a few circus kids all in one trip.
Not that I’m in the habit of spying on children, mind you, (I’m NOT!), but, come on, what writer doesn’t do some innocent eavesdropping from time to time? And this was in the name of Research!
But, with all that said— all these great reasons— I was still too chicken to go. (Remember: protesters + molotov-cocktails + sad elephants does NOT = me)
I’d just have to wait until next year when the big, well-known circus came to town to safely do my research.
My mind was made up.
And yet— as always seems the case— as much as I’d finally made a decision about something/anything, fate had other ideas.
Fate came one morning in the form of a brightly painted convoy of circus trucks rolling into town just as I was driving my son to preschool. All it took was one look at my sweet son’s very sad, I’ll-never-get-to-go-to-the-circus-will-I? face, and I’d changed my mind yet again.
So I dropped son off at school, screwed-up my courage, set aside my "It" induced dislike for clowns (thanks a ton Uncle Stevie!), and followed the convoy to the fair grounds. Once there, I was relieved to find happy, well-rested elephants and NO packing protesters. Instead there were just a couple of reporters (who quickly decided I MUST be a spy from a competing paper and therefore kept shooting me dirty looks) and a couple of curious grandmas pushing excited kids in strollers. All was calm. Calm, that is, if you didn’t count the magic unfolding in front of me.
There were dozens of men calmly but quickly going about their jobs, each one knowing exactly what to do; rolling out tarps, pounding in stakes, spreading out cables. In the course of one morning these men flawlessly created an alternate existence beneath a brightly colored big-top. A place where you could go to forget about your everyday life and lose yourself in the experience of mesmerizingly-graceful women twirling in the air, men somersaulting over pits of fire, motorcycles racing down a wire 40 feet above the ground. And all of this taking place where only hours before there’d been nothing but an empty field of dust and grass; where mere hours later it’d all disappear again into the dead of night, leaving no trace of the magic they’d created.
If you ever get the chance to watch a circus being constructed, I highly recommend it.
While I was there, not only did I get to be the recipient of reporters’ dirty looks, watch the big-top unfold, and do a little spying, but I also got to do much, MUCH more! Thanks to my advanced investigative skills (ie: I walked up to a guy who looked like he belonged there and said, “Hi”) I eventually earned an introduction to the man who would answer all of my research questions: Poppa D.
Poppa D is a former PE teacher— and semi-retired clown— who also happens to be the teacher in charge of “home-schooling” the kids who travel and perform with Carson and Barnes. Poppa D warmly welcomed me into his life that day, allowing me to attend “class” all morning under the fair-ground pavilion with 11 year old Eric, 12 year old Francesca, and 14 year old Julie.
I couldn’t have dreamt of a more amazing opportunity to gain insight into what it would be like to grow up in the circus.
Julie spoke very little English (and she was very shy), so I didn’t really get to bond with her much, but I can’t thank Eric and Francesca enough for sharing so much of their lives with me. Forget the new world I’d soon be creating, they opened up a whole new UNIVERSE. A universe filled with their experiences, their hopes, their fears, their daily trials, but above all their ability to inspire— not only in the hearts of children everywhere, but in ME— a sense of immense wonder and limitless imagination.
It was one of the most eye-opening, enriching mornings I’ve ever had the pleasure of living.
I could continue to go on and on for hours upon hours about my whole circus experience—everything I saw, and did, and learned that day— but I won’t. You’d eventually get tired of reading about it; if you haven’t already. And besides, I really should save some of it for the book, because right now— at long last— I’ve got some very important decisions which I’m finally ready to make.
Current Mood: |
Inspired |